Westworld | Season III (2020)

My tasks after joining the Season 3 VFX team at Crafty Apes were as follows; tracking artist shot progression, show progression, and ensuring the team was able to hit all deadlines on time and under budget. I was also put in charge of dealing with client communication/emails. Lastly, I assisted with I/O related tasks and deliveries of VFX work to the client via various file transfer services.

Banana Split (2020)

On this project I was tasked with being the in-house VFX Coordinator. My tasks included managing shot and show progress. Working with an outsource vendor for various paint work. Quality checking all material, and delivering to the client. Also, I was in charge of setting up and running review sessions.

The Way Back (2020)

On this project I was brought on as an additional VFX Coordinator. My main tasks on this show were to assist production with I/O related tasks and deliveries of VFX work and mattes to the client via various file transfer services.

Seberg (2020)

On Seberg, I was brought on as an additional VFX Coordinator toward the end of post-production. My main tasks on this show were to assist production with tracking artist shot progression, show progression, and ensuring the team was able to hit all deadlines on time. I also assisted with I/O related tasks and deliveries of VFX work to the client via various file transfer services.

Togo (2019)

For Togo I was assigned as the primary VFX Coordinator and my tasks on the project were as follows; project setup, tracking artist shot progression, show progression, and ensuring the team was able to hit all deadlines on time and under budget. During post-production I was the main point of contact for the client as well. Lastly, I handled the majority of I/O related tasks and deliveries of VFX work to the client via various file transfer services.

Runaways | Season III (2019)

On this project I was assigned as the primary coordinator for episode ten and my tasks on the project were as follows; project setup, tracking artist shot progression, show progression, and ensuring the team was able to hit all deadlines on time and under budget. I was also the main point of contact for the client, and setup/ran all Cinesync sessions. Lastly, I handled the majority of I/O related tasks and deliveries of VFX work to the client via various file transfer services.

Hustlers (2019)

For Hustlers, I was assigned as primary coordinator and my tasks on the project were as follows; project setup, tracking artist shot progression, show progression, and ensuring the team was able to hit all deadlines on time and under budget. During post-production, I was the main point of contact for the client, and setup/ran all Cinesync sessions. Lastly, I handled the majority of I/O related tasks and deliveries of VFX work to the client via various file transfer services.

Legion | Season III (2019)

My tasks after joining the Season 3 VFX team at Crafty Apes were as follows; tracking artist shot progression, show progression, and ensuring the team was able to hit all deadlines on time and under budget. I also assisted the primary coordinator in dealing with client communication/emails. Lastly, I assisted with I/O related tasks and deliveries of VFX work to the client via various file transfer services.