Riding with Roddie | Season I (2024-2025)

Riding with Roddie is a dynamic web series that offers an unfiltered look at the daily operations of the Kalamazoo Department of Public Safety (KDPS), with a spotlight on traffic enforcement. Created, filmed, and produced by Red Watch Media founder Zach Hamelton, the series follows PSO II Ryan Roddie, a member of the KDPS Traffic Enforcement Unit and the Kalamazoo Metro SWAT team, as he navigates the challenges and lighter moments of public safety.

From humorous traffic stops and bizarre excuses to high-stakes incidents like shots fired calls, fires, and high-speed chases, the series provides an authentic and engaging view of the diverse roles public safety officers play. Designed to entertain, educate, and recruit, Riding with Roddie gives the community and aspiring officers a front-row seat to the realities of law enforcement. Whether showcasing the humor, intensity, or humanity of the job, the series offers a compelling perspective on what it means to serve and protect in Kalamazoo.

On the Beat: HCPD (2024)

In the heart of Central Florida, On the Beat offers an unfiltered look at the daily lives of the officers serving the Haines City Police Department. This compelling series was developed, filmed, produced, edited, and distributed entirely by Red Watch Media founder Zach Hamelton, who worked solo to bring this ambitious project to life as the department’s PIO.

Blending action and authenticity, On the Beat dives into the high-stakes world of patrol operations, criminal investigations, and heartfelt community engagement. Each episode captures the resilience, integrity, and dedication of the officers as they navigate the challenges of protecting their community while building trust and forging deep connections with its residents. More than just a series, On the Beat is a powerful tribute to the men and women who wear the badge with pride and serve with unwavering commitment.

Through the Smoke (2024)

Through the Smoke is a groundbreaking documentary series that provides an intimate and powerful look into the lives of the firefighters at the Haines City Fire Department. Developed, filmed, produced, edited, and distributed entirely by Red Watch Media founder Zach Hamelton, who also worked as the department’s PIO.

Each episode captures personal stories and the on-the-job experiences of various crews and stations, offering viewers a rare glimpse into the realities of emergency response. Through the Smoke is more than just a series; it’s a heartfelt tribute to the everyday heroes who face danger with courage and commitment.

The Crowded Room | Season I (2023)

As Apple TV's Senior Coordinator on Crowded Room, Zach was responsible for delivering and reviewing vendor studio work, coordinating key meetings, assisting with artist mockups for concept designs, and conducting in-depth research to support the series' creative and visual development.

I Wanna Dance With Somebody (2022)

On this project, Zach was assigned as the VFX Producer at ZERO VFX. More information to come upon the release of the film.

Star Trek: Strange New Worlds (2022)

On this project, Zach was the Associate VFX Producer for season one while at Crafty Apes VFX. More information to come upon the release of the first season.

Winning Time: The Rise of the Lakers Dynasty (2022)

On this project, Zach was assigned as the VFX Production Manager at Pixomondo for the first half of season one. More information to come upon the release of the first season.

Star Trek: Picard | Season I & II (2022)

SEASON TWO:

On this project, Zach was the Associate VFX Producer while at Crafty Apes VFX. More information to come upon the release of this season.

SEASON ONE:

For season one Zach was assigned as the primary coordinator and his tasks on the project were as follows; project setup, tracking artist shot progression, show progression, and ensuring the team was able to hit all deadlines on time and under budget. During post-production, he was the main point of contact for the client and set up/ran all Cinesync sessions. He was also responsible for tracking and distributing all graphics and assets to artists on the project. Lastly, Zach handled the majority of I/O-related tasks and deliveries of VFX work to the client via various file transfer services.

The Cleaning Lady | Season I (2022)

On this project, Zach was the Associate VFX Producer for Crafty Apes VFX for the first half of season one. More information to come upon the series premiere.

Cry Macho (2021)

On this project, Zach was assigned as the Associate VFX Producer. More information to come upon the release of this film.

The Starling (2021)

On this project, Zach was assigned as the primary VFX Coordinator. More information to come upon the release of this film.

The Flash | Season VII (2021)

For The Flash, Zach was assigned as the Associate VFX Producer for episode eleven for Crafty Apes VFX and his tasks on the project were as follows; bidding, financial reporting, shot tasking, tracking artist shot progression, show progression, and ensuring the team was able to hit all deadlines on time and under budget. Additionally, he was the main point of contact for the client and set up/ran all Cinesync sessions. Lastly, Zach handled the majority of I/O related tasks and deliveries of VFX work to the client via various file transfer services.

Roswell: New Mexico | Season III (2021)

On this project, Zach was assigned as the Associate VFX Producer. More information to come upon the release of the season three finale.

Zola (2021)

For Zola, Zach was assigned as the primary VFX Coordinator and his tasks on the project were as follows; project setup, tracking artist shot progression, show progression, and ensuring the team was able to hit all deadlines on time and under budget. Additionally, he was the main point of contact for the client and set up/ran all Cinesync sessions. Lastly, Zach handled the majority of I/O-related tasks and deliveries of VFX work to the client via various file transfer services.

Orville | Season III (2021)

On this project, I was the Co-VFX Coordinator for Crafty Apes VFX for episodes; one, two, and three. More information to come after the series premieres.

The Little Things (2021)

On this project, I was tasked as the primary VFX Coordinator for Crafty Apes VFX. More information to come after the film premieres.

Godmothered (2020)

For Godmothered, I was assigned as primary coordinator and my tasks on the project were as follows; project setup, tracking artist shot progression, show progression, and ensuring the team was able to hit all deadlines on time and under budget. Additionally, I was the main point of contact for the client and set up/ran all Cinesync sessions. Lastly, I handled the majority of I/O related tasks and deliveries of VFX work to the client via various file transfer services.

Mulan (2020)

For Mulan, I was assigned as primary coordinator and my tasks on the project were as follows; project setup, tracking artist shot progression, show progression, and ensuring the team was able to hit all deadlines on time and under budget. During post-production, I was the main point of contact for the client, and setup/ran all Cinesync sessions. Also, I handled the majority of I/O related tasks and deliveries of VFX work to the client via various file transfer services. Lastly, I was in charge of coordination for two promotional music videos featuring Christina Aguilera.

Westworld | Season III (2020)

My tasks after joining the Season 3 VFX team at Crafty Apes were as follows; tracking artist shot progression, show progression, and ensuring the team was able to hit all deadlines on time and under budget. I was also put in charge of dealing with client communication/emails. Lastly, I assisted with I/O related tasks and deliveries of VFX work to the client via various file transfer services.

Banana Split (2020)

On this project I was tasked with being the in-house VFX Coordinator. My tasks included managing shot and show progress. Working with an outsource vendor for various paint work. Quality checking all material, and delivering to the client. Also, I was in charge of setting up and running review sessions.